{"id":216,"date":"2026-10-17T09:00:30","date_gmt":"2026-10-17T01:00:30","guid":{"rendered":"https:\/\/itpbaz.kinsta.cloud\/fashion\/longchamp-spring-summer-27\/"},"modified":"2026-11-10T22:24:07","modified_gmt":"2026-11-10T14:24:07","slug":"longchamp-spring-summer-27","status":"publish","type":"post","link":"https:\/\/preview.itp.luxury\/baz-my-1\/fashion\/longchamp-spring-summer-27\/","title":{"rendered":"Longchamp Spring\/Summer \u201927 Takes Us Through The French New Wave"},"content":{"rendered":"\n

Longchamp\u2019s New Wave<\/h2>\n\n

The Longchamp Spring\/Summer 2027 collection is structured like a day in the city. Creative director Sophie Delafontaine takes the New Wave and arthouse cinema as her starting point. Consequently, each look reads as a scene, with the Parisienne as its lead. We caught up with the creative director during Paris Fashion Week to ask her more about this exciting collection, and how it fits effortlessly into our Malaysian weather.<\/p>\n\n

From striped shirting to lilac gloves, the Longchamp Spring\/Summer \u201927 collection plots a Parisian day in scenes, each with its own wardrobe.<\/h2>\n
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\"Sophie<\/div>\n\t\t\t\t
\n\t\t\tSophie Delafontaine, creative director of Longchamp<\/span>\n\t\t\t\t\t<\/figcaption>\n\t\t\t<\/figure>\n<\/div>\n

Sophie Delafontaine\u2019s starting point for Longchamp Spring\/Summer \u201927 was a film set, though not a fantasy one. It was the Paris of the 1950s and \u201960s, when the New Wave put women at the centre of the frame. Think Jean Seberg in Jean-Luc Godard\u2019s Breathless<\/i><\/a> (1960)<\/a> or Corinne Marchand in Agn\u00e8s Varda\u2019s Cl\u00e9o from 5 to 7 <\/i><\/a>(1962)<\/a>. \u201cI love this period because the ladies were very elegant, feminine, with a lot of character,\u201d says the creative director. \u201cAnd their accessories were really important to their outfits.\u201d<\/p>\n

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\n\t\t\tLeading ladies of the French New Wave.<\/span>\n\t\t\t\t\t<\/figcaption>\n\t\t\t<\/figure>\n<\/div>\n

That second observation runs through the collection. As depicted in those New Wave films, the Paris Delafontaine has in mind is not a soft-focus one. \u201cIt wasn\u2019t a dreamy Paris. It was a realistic Paris,\u201d she says. Yes, much like the New Wave heroines, her women are elegant and spontaneous, but not romantic. They sit on caf\u00e9 terraces with a coffee and a cigarette, comfortable in their own company. \u201cIt was a moment where they started to be more confident and powerful, and that\u2019s exactly what I am trying to express in this collection.\u201d<\/p>\n

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The clothes keep that confidence plain. Silhouettes are simple and graphic, built on neutrals, then adjusted by a single detail. \u201cIt can be the belt, the shoes, the bags, of course, or just the lipstick,\u201d Delafontaine says. The result is a very simple and effortless silhouette with a little character added.<\/p>\n

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Colour is where she usually begins, and this season the palette is neutral with pastel touches. Grey, cognac, khaki, beige, black and white form the base. Three colour families sit on top: lilac, pinks that range from misty to blush, and greens in wasabi, aniseed and spring shades. Lilac appears on gloves, a long column dress and a pair of lace-up shoes, each placed to lift an otherwise restrained outfit.<\/p>\n

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The wardrobe moves through the day. Mornings call for stripes borrowed from men\u2019s shirting, cotton poplin, linen and a green tweed flecked with pink and yellow. A shift dress is paired with a neat leather jacket, and a crepe suit takes on the softness of tweed.<\/p>\n

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Evenings bring the \u201cJolie Madame\u201d look: a dress worn with a tailored leather blazer and retro leather gloves. Three signature jackets, the Atelier, the Kimono and the Safari, are reworked in the season\u2019s colours and materials to tie the looks together.<\/p>\n

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Then there are the bags. Le Joli is new this season, a small square bag with rounded edges, dressed in embossed leather made to look like ostrich, with a Longchamp medal tucked slightly out of sight. It is the piece Delafontaine would keep for herself. \u201cVery feminine, very elegant but also with a lot of character,\u201d she repeats. The Roseau has been reworked too. She wanted structure and softness in the same bag, which meant adjusting both the construction and the leather. \u201cIt\u2019s soft, but it also keeps the shape,\u201d she explains. \u201cIt\u2019s always this balance that is hard to find.\u201d<\/p>\n

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\n\t\t\tLe Joli bag, Longchamp<\/span>\n\t\t\t\t\t<\/figcaption>\n\t\t\t<\/figure>\n<\/div>\n

The collection also has to travel. Delafontaine says she designs for a spirit rather than a nationality, and layering is how that works in practice. A jacket worn over a heavy sweater in a Paris winter can sit over a T-shirt or blouse in Malaysia. But she is aware of the local climate indoors, too. \u201cIn Malaysia, it\u2019s hot outside, but it\u2019s so cold inside that you can even wear the sweater!\u201d she says, laughing. \u201cIt makes my job easier.\u201d<\/p>\n

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\"Layering<\/div>\n\t\t\t\t
\n\t\t\tLayering is a key part of the styling of this collection.<\/span>\n\t\t\t\t\t<\/figcaption>\n\t\t\t<\/figure>\n<\/div>\n

What holds everything together is Delafontaine\u2019s view of what clothes are for. \u201cAn outfit or accessories are the best companions,\u201d she says. \u201cThey are here to help women be confident and to empower them.\u201d<\/p>\n\n

Discover more from the Longchamp website. For more stories on Longchamp, click here.<\/h2>\n","protected":false},"excerpt":{"rendered":"

Discover how the Longchamp Spring\/Summer 27 collection brings cinematic inspiration to fashion with vibrant everyday looks.<\/p>\n","protected":false},"author":8,"featured_media":234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","bz_kicker":"","bz_opener":"classic","bz_photographer":"","bz_hero_caption":"","bz_hero_credit":"","bz_hero_clip":0,"bz_inset":0,"bz_tile_image":0,"bz_clip":0,"bz_tile_dek":"","bz_reading_time":"","bz_duration":"","bz_feature_small":0,"bz_feature_medium":0,"bz_feature_quote":""},"categories":[2],"tags":[74,87,88,89,90],"bz_slot":[],"class_list":["post-216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion","tag-longchamp","tag-longchamp-ss27","tag-ready-to-wear","tag-rtw","tag-sophie-delafontaine"],"_links":{"self":[{"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/posts\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":2,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/posts\/216\/revisions"}],"predecessor-version":[{"id":1566,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/posts\/216\/revisions\/1566"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/media\/234"}],"wp:attachment":[{"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/categories?post=216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/tags?post=216"},{"taxonomy":"bz_slot","embeddable":true,"href":"https:\/\/preview.itp.luxury\/baz-my-1\/wp-json\/wp\/v2\/bz_slot?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}